The Guardian: Interview: There’s a quiet rumbling of violence in America.

“Strout describes her writing style as that of “an embroiderer” – “I will pick it up and embroider a little green line, and come back later and embroider a leaf or something” – and her novels, intricately and painstakingly crafted, overlap and intertwine to create an instantly recognisable fictional landscape.”

WaPo: Elizabeth Strout has ‘millions of stories to tell’

“To Strout, writing is an act of revelation. And she is always writing, often in her studio above a nearby store. She’s amazed that Lucy returned for a fourth novel, but here she is.”
Karen Heller, “Elizabeth Strout has ‘millions of stories to tell’,” Book World, Washington Post,  September 22, 2022.

BookTrib: Lucy Barton Finds Love During Pandemic

“Strout excels at distilling complex human emotions — fear of failure, regret that we never measured up — into something familiar and understandable.… Lucy By The Sea holds its own as an engaging and relatable story, where human bonds of love and meaning — over-examined and frayed as they may become in crisis — still serve as the essence of what makes us feel we matter and belong.”
Anne Eliot Feldman, “Long-Divorced Lucy Barton Finds Love During Pandemic,” BookTrib, September 19th, 2022.

Air Mail: A Journal of the Plague Year

“In Lucy by the Sea, [Strout] continues to conceal her art in seeming artlessness and gives us a world in which nothing stands to reason or allows for easy expression. ”
Pico Iyer, “A Journal of the Plague Year,” Air Mail, September 17, 2022.

Boston Globe: Getting to the Heart of the Matter

“In its emotional heft and honesty, its ability to go fearlessly to the darkest places, its pellucid empathy and its spot-on rendering of the pandemic experience for both individuals and the country, [Lucy by the Sea] is perhaps the best of the four marvelous novels Strout has written featuring Lucy Barton.”